A World of Her Own MakingA World of Her Own Making:
Katharine Smith Reynolds and the Landscape of Reynolda

Catherine Howett

University of Massachusetts Press in association with LALH

Cloth $39.95
ISBN: 978-1-55849-520-3

To order: University of Massachusetts Press
tel. 800-537-5487, fax 410-516-6998

Only a few years after marrying tobacco magnate R. J. Reynolds that young Katharine Smith Reynolds (1880–1924) began to plan a new home for her family. Not many young women of the day found themselves with almost unlimited wealth to construct their dream home, but Katharine’s sense of purpose for her vast resources was even more unusual. She envisioned the founding of a model community that would emphasize health, modern technology, mixed-crop scientific farming, education, and rural beauty. To realize this dream, she drew on the liveliest and most progressive ideas of her era.

Catherine Howett begins her analysis of Katharine’s unusual achievement with her childhood in Mount Airy, North Carolina, and the defining southern values that framed her experiences there. Howett follows Katharine through her transformative education at the state Normal School, founded and run by Charles Duncan McIver and his ardently feminist wife, Lula. The values instilled in Katharine during these early years guided her, a new woman of the New South, in all that followed.

In 1904, when Katharine embarked on her estate project in Winston (now Winston-Salem), North Carolina, the South was still feeling the effects of the Civil War and a century of single-crop farming. After conducting exhaustive research, which included wide-ranging reading in agricultural journals and trips to other American estates and model farms, she began to lay out her property, Reynolda. Her plan was inspired, in part, by the rural landscapes of England that had captured the imagination of Frederick Law Olmsted.

A welcoming bungalow for her family was surrounded by a landscaped park, set amid thriving farm fields and pastures, with a village of homes and gardens, a church, and a school for farm employees. Beginning in 1915, Katharine was aided by Thomas W. Sears, a highly regarded Philadelphia-based landscape architect. The estate eventually expanded to cover more than 1,000 acres. The process of planning Reynolda paralleled similar efforts in other parts of the United States, as new towns, parks, campuses, and country estates were laid out during the century’s first decades.

Illustrated with over 150 photographs, plans, and drawings, Howett’s study analyzes the singular convergence of influences that occurred in the imagination of a highly unusual woman. The book provides welcome insight into the culture of the New South and into a richly inventive period in the history of American landscape architecture.

CATHERINE HOWETT, FASLA, is a professor emerita in the School of Environmental Design at the University of Georgia. She has also edited, written, or contributed to several previous books, including The Gardening Book of James L. Hunter: A Southern Planter (American Botanist, 1996), Land of Our Own: 250 Years of Landscape and Gardening Tradition in Georgia, 1733–1983 (Atlanta Historical Society, 1983), Residential Work of the Olmsted Firm in Georgia, 1893–1937 (Southern Garden History Society, 1993), and Abstracting the Landscape: The Artistry of Landscape Architect A. E. Bye (Pennsylvania State University Press, 1990).

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Brilliantly written—uplifting and riveting—this books brings out of obscurity a ‘new woman’ of the South, who dedicated her brief life to the creation of a place called Reynolda. Not a professional herself, but an enlightened client, Katherine Smith Reynolds worked closely with architects, landscape designers, and other professionals to give concrete expression to a world of her own making. Howett provides background on the technology, cultural norms, design concepts, and social relationships that affected the appearance and lifestyle of the progressive community. Readers, especially women, will find inspiration in its pages.”
—Barbara B. Millhouse, author of American Originals and president, Reynolda House, Museum of American Art