Keith N. Morgan, Elizabeth Hope Cushing, and Roger G. Reed
University of Massachusetts Press in association with LALH
To order: University of Massachusetts Press
tel. 800-537-5487, fax 410-516-6998
Winner, Ruth Emery Award, The Victorian Society in America
In 1883, Frederick Law Olmsted Sr. deserted New York City for Brookline, Massachusetts, a Boston suburb that anointed itself the “richest town in the world.” For the next half century, until Frederick Law Olmsted Jr. moved to California in 1936, the office received over 150 local commissions, serving as the dominant force in the planned development of this community. From Fairsted, the Olmsted’s Brookline home and office, the firm collaborated with an impressive galaxy of suburban neighbors who were among the regional and national leaders in the fields of architecture and horticulture.
Through plans for boulevards and parkways, residential subdivisions, institutional commissions, and private gardens, the firm carefully guided the development of the town, as they designed cities and suburbs across America. Frederick Law Olmsted Sr. and Jr. and their associates represented a new cohort of professionals who worked well in tandem with the wealthy, ensuring both the visual quality and the social hierarchy of the town’s environment.
While Olmsted Sr. used landscape architecture as his vehicle for development, his son and namesake saw Brookline as grounds for experiment in the new profession of city and regional planning, a field that he was helping to define and lead. Little has been published on the importance of Brookline as a laboratory and model for the Olmsted firm’s work. This beautifully illustrated book provides important new perspective on the history of planning in the United States and illuminates an aspect of the Olmsted office that has not been well understood.
KEITH N. MORGAN, Ph.D., a professor of art history and director of architectural studies at Boston University, is the author of the new introduction to the LALH reprint edition of Charles Eliot, Landscape Architect (1902) by Charles W. Eliot. His other publications include Shaping a New American Landscape: The Art and Architecture of Charles A. Platt (Hood Museum of Art, 1995) and Boston Architecture, 1975–1990, coauthored with Naomi Miller (Prestel Verlag GmbH & Co KG., 1996). He is also the editor and a principal author for Buildings of Massachusetts: Metropolitan Boston (University of Virginia Press, 2009) and the architecture editor for The Encyclopedia of New England (Yale University Press, 2005).
ELIZABETH HOPE CUSHING, Ph.D., is the author of the new LALH book, Arthur A. Shurcliff: Design, Preservation, and the Creation of the Colonial Williamsburg Landscape, based on her doctoral dissertation for the American and New England Studies program at Boston University. Cushing is a practicing landscape historian who consults, writes, and lectures on landscape matters. She has written cultural landscape history reports for the Taft Art Museum in Cincinnati, The National Park Service, the Department of Conservation and Recreation of the Commonwealth of Massachusetts, and other institutions and agencies. Her contributor credits include Pioneers of American Landscape Design (McGraw Hill Companies, 2000), Design with Culture: Claiming America’s Landscape Heritage (University of Virginia Press, 2005), Shaping the American Landscape(University of Virginia Press, 2009), and Drawing Toward Home (Historic New England, 2010). She has received a grant from the Gill Family Foundation to write a biography of Frederick Law Olmsted Jr.
ROGER G. REED is a historian for the National Register of Historic Places and the National Landmarks Program. He is the author of several books and articles, including Building Victorian Boston: The Architecture of Gridley J. F. Bryant.
“This is an inclusive, sophisticated treatement, as one would expect from this trio of distinguished historians, of the reasons for and impact of the work of Frederick Law Olmsted and his firm on the physical development of Brookline, Massacusetts.”
—Susan L. Klaus