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| Amphitheatre Bridge and Carolina Steps, wild garden c. 1930. |
| "Two Gazeboes like this for Mr. W.G. Mather," prepared by Charles A. Platt. From Cortissoz, Monograph of the Work of Charles A. Platt. |
| Fountain in original wild garden, 1957. Photo by Walter P. Bruning. William G. Mathers Papers, Gwinn Archives, Gwinn Estate, Cleveland, Ohio. |
| Formal garden, privet bays, looking north, no date. William G. Mather Papers, Gwinn Archives, Gwinn Estate, Cleveland, Ohio. |
| Fountain Terraces, 1957. Photo by Walter P. Bruning. William G. Mathers Papers, Gwinn Archives, Gwinn Estate, Cleveland Ohio. |
| Manship vase at end of forecourt drive, after 1914. William G. Mather Papers, Gwinn Archives, Gwinn Estate, Cleveland, Ohio. |
| View (east) through Norway maple allee, after 1910. William G. Mather Papers, Gwinn Archives, Gwinn Estate, Cleveland, Ohio. |
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Robin Karson
Sagapress/Abrams
$39.95
To order, email info@lalh.org
American Society of Landscape Architects Honor Award
“Readers who love landscape and garden history will feel themselves transported, as if by a tale of great adventure.” —Catherine Howett, Journal of the New England Garden History Society
“Karson’s examination is thorough and scholarly . . . [and] includes penetrating and illuminating essays. . . . This is a rich period . . . and Karson provides welcome new insight.” —William Lake Douglas, Journal of the Society of Architectural Historians
GWINN, ONE OF THE BEST-PRESERVED ESTATES of the Country Place Era, was originally the home of Cleveland industrialist William Mather. It has survived as an important American work of art that today tells a story about early twentieth-century landscape style, economics, and social history.
Three innovative landscape architects collaborated on the project for more than two decades: Charles A. Platt, the architect who adapted the Italian villa to an American setting; Warren H. Manning, the well-known landscape architect, planner, and designer of parks in several states; and Ellen Biddle Shipman, who brought a new American sensibility to the art of garden design.
From a previously unpublished archive of documents and images, Robin Karson presents a richly detailed and dramatically illustrated account of the lakeside estate’s development. By illuminating the battle between formal and informal design principles in creating Gwinn, Karson reveals the larger picture of emerging style in American landscape design. |
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